![]() Now, you’re probably wondering why I would even bring this up in a review of TP5, and there is a simple reason for it. Titler Pro 5 comes in three different flavours, but before I move on and talk about the different editions, I want to talk about the other effects packages across the NewBlueFX (NBFX) product line. Now, in this article I’ll be addressing more the Media Composer version of the plug-in, but keep in mind that the plug-in is supported in Magix Vegas, Resolve, Premiere, After Effects FCPX HitFilm, EDIUS as well as a standalone version you can use outside of the NLE’s. In this article, I want to take an in-depth look at Titler Pro 5 (TP5), and show you why it’s a product that you need to put back on your radar. Looking at it today, it’s showing it’s age, and many editors might not be willing to give the latest version of Titler Pro a try (version 5). At the time that Titler Pro 2 was released, it was a cool tool to use to create animated 2D and 3D titles inside of Media Composer. ![]() When Avid added the ability to work in larger than HD projects, they licensed Titler Pro 2/2.5 to perpetual/subscription editors, as the Title Tool and Marquee Tool are not supported in larger than HD projects. As a Media Composer editor, I’ve been exposed to Titler Pro for a while now.
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